Recordings and Compositions


Recorded in Mfumba, Ugada, April 2017 while on residency with Boutique Foundation and Nyege Nyege Tapes.


Boomkat Product Review 

After almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege Nyege Tapes crew. ‘Kadodi’ pairs a transfixing percussive soundtrack with modern electronic contributions from Bamba Pana and Sun C, resulting in another remarkable document from the pearl of Africa. 
Extending privileged insight to the way ancient practices meet modernism near the Equator in East Africa, the ‘Kadodi’ LP renders a set of mesmerising, rhythmelodic percussion and crowd hollers, along with electrifying reinterpretations by local, East Ugandan producer Sun C and Dar Es Salaam, Tanzania’s Bamba Pana. Placing ageless ritual music alongside its club antecedents, the results find tradition frictionlessly reconciled with modernism, drawing bridges between tribal identities and ancient belief systems, and clubs as contemporary sites of ritual enactment. 
The musical aspect of the ceremony is intended to induce initiates to a trance state, readying them to transcend from boyhood (basinde) into men (basani). The twice yearly rites of passage are such an occasion that their soundtrack has now transcended from original ritual use to find its ways into nightclubs, thanks to producers such as DMX, Papas and Sun C - the pioneer of Kadodi music’s shift into electronic spheres. 
On this set the ceremony starts on side A and continues into side B, documenting the Domadana Kadodi Performers brewing a bristling frenzy of polymetric percussion with hypnotic intensity coming as a result of their natural complexity. Following this utterly unique situation, Mbale native Sun C offers a near 10 minute electronic reinterpretation of Kadodi music on ‘Kaad 4’, mirroring the breathless cadence and intensity of the original in its sustained pitches and intricate syncopation of pipes and pointillist percussions. And you can trust Bamba Pana to take that one step farther on ‘Wateranga’, where he ramps the original drums with Singeli-style pattern and pace to irresistibly energetic effect. 


released September 27, 2018 

Tracks 1 & 2 recorded in Mfumba Village, Eastern Uganda by Alyssa Moxley in April 2017. 
Artwork Photography by Stéphane Charpentier 
Artwork by Aleczandah 
Mixing by Alyssa Moxley 
Master and Vinyl Cut by Matt Colton


Protos Orofos (Greek for “first floor”) is a team that organize concerts for musicians of strange, experimental and electronic music. This concerts take place in an office on the first floor of 20 Olympiou Diamanti Street in Thessaloniki, Greece.
Every year a compilation CD featuring music by the artists that performed live during the previous year at Protos Orofos is released.

Unbound Atlas

Unbound Atlas is a album by Mazi Collective featuring recordings (by Alyssa Moxley) and images and texts (by Ramona Stout) documenting our journeys through the Balkans while searching for musicians for the Kinisi Festival.

The CD includes 12 tracks of soundscapes and music recorded on location in villages and cities in Albania, Kosovo, and FYROM in 2014. A pull-out color booklet of writing and photography detailing the journey accompanies the album. All CD orders come with a high quality download through Bandcamp.

Unbound Atlas was reviewed in the Wire Magazine.
The album was on the Wire’s 2015 “Picks of the Year” list.

Preview here:
To order, please write to me at